孙志钧，男，1951年生于北京，1978年内蒙古师范大学美术系毕业，1987年中央美术学院国画系研究生毕业、获硕士学位。首都师范大学美术学院教授，博士研究生导师，中国美术家协会理事，教育部艺术教育委员会委员。北京美术家协会副主席，北京工笔重彩画会会长，中国教育学会美术专业委员会副理事长，文化部高级职称美术评委，中国文联全国中青年德艺双馨艺术家，中国友联画院特聘画家。 Sun Zhijun(male) was born in Beijing in 1951, graduated from fine arts department of Inner Mongolia Normal University and got bachelor degree in Central Academy of Fine Arts. He is professor and PhD tutor of fine arts department in Capital Normal University, director of China Artists Association, member of art education committee in the Ministry of Education, vice president of Beijing Artists Association, president of Beijing Traditional Chinese Realistic Color Painting Society, vice director of China Education Institute Art Specialty Committee, senior art profession judge of Ministry of Culture, China Literal Federation national middle-aged and youth artist with reputed virtue and accomplishment, specially invited artist in China Friendship Federation Painting Academy.
关于我的草原水墨画——文/孙志钧 My Prairie Wash Painting——By Sun Zhijun 离开草原已有30年了，离开越久，记忆越清晰。回忆、梦境与现实构成了一幅幅画面。草原已成为我绘画永远的主题。而水墨是我表现草原绘画题材的手段与方法。我尝试用传统的水墨方法，新的视点和构图表现草原，希望创造一种新的个人的绘画风格和图式。水墨是中国画最典型的表达方式，是中国画的代名词。所以我用水墨画的方法，用水墨的泅晕、浓淡、干湿的效果，加入了西画的透视方法、素描的黑白、灰和团块结构。找到一种最恰当的表现我眼中和心中的草原的方法。同时吸收了西画中用色用光的一些手段融入到画中。增强了营造画面气氛和意境的效果。 I have been left prairie for 30 years, memories clarified as time pass. Reminiscence, dream and reality made up a lot of pictures. Prairie has become my long lasting theme in my painting and wash painting is my way to express prairie painting theme. I made attempts to use traditional ink wash, new perspective and structure to depict prairie, and create a new personal painting style and pattern. Ink wash is the typical expression and substitution of Chinese painting, thus I express my prairie by using ink and wash, perspective method in western painting, black, white and grey and lumpiness in sketch painting, and absorb the method of color and light in western painting at the meantime, to reinforce the atmosphere and artistic conception in the picture. 中国画的意境是画家通过对画面的营造和与观众的契合而达到的。这不是抽象的概念。是中国画达到一个美学意义的高度。所以草原水墨画表现出宁静、苍茫、孤寂、高远、博大等意境都表达了画家独特的感受。一切画面的笔墨、构图、形象、色调等技巧因素，都是表达感受的载体。只不过这种载体、这种方法是独特的，选择的角度也是独特的。因此也造就了我独特的绘画个性特征。 Artistic conception of Chinese painting is formed by painting structure and resonance with viewer which is not abstract but in aesthetic level. Therefore artistic conception of tranquil, boundless, loneliness, lofty and vast in prairie wash painting expressed the unique feelings of artists. All the techniques in ink, structure, image and hue is the subject of feelings. 离开草原很久了，我曾作为草原的牧人在那里生活过，而不是旁观者。曾经受过的艰难困苦变为我人生成长的动力。所有经历与美好的回忆，变成了我艺术创作的主题和源泉。草原水墨画是我对草原生活的记忆，也是我对人生的态度，更是我的艺术追求。 I have leaved prairie for years, I once lived there as shepherd in prairie, not onlooker. Difficulties and hardships I suffered turned to my motive power in my life. All the experiences and memories turned to my theme and inspiration of my creation. Prairie wash painting is my remembrance of prairie life, my attitude towards life, and my art pursuit.
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